Actual atmosphere
Cumulative force
Return to origins
A certain amount of aesthetic exploration helps to maintain interest in the accumulation of ordinary experience. In a curious sense, where I stand is always in an artistic laboratory, with excess energy strewing innovative designs about.
“Each is a link in an endless chain.” – Ralph Waldo Emerson
Natural forms
Accurate reality
Provides knowledge
Refractive transparent shapes cause wavelength dispersion as light propagates through space. Forms are object essences without which a thing would not be the kind of thing that it is.
“If a person were to show that all is one by partaking of one, and at the same time many by partaking of many, would that be very astonishing. But if he were to show me that the absolute one was many, or the absolute many one, I should be truly amazed.” – Parmenides
Improvise insolently
Implicit proprieties
Inventive incipit
A roadside attraction that is oblivious to its charms opens up at high speed. All things move relative to one another except the speed of light that is perhaps an absolute universal frame of reference.
“Contrary to what phenomenology–which is always phenomenology of perception–has tried to make us believe, contrary to what our desire cannot fail to be tempted into believing, the thing itself always escapes.” – Jacques Derrida
Discourse trajectory
Itinerary consequence
Deciphered destination
Even under a full moon, if the air is clear the stars appear.
“Do not complain beneath the stars about the lack of bright spots in your life.” – Bjørnstjerne Bjørnson
Epoch juncture
Complex gnarl
Imagination sets in
An old door indicates passage through time as a narrative written in texture.
“I’m afraid that if you look at a thing long enough, it loses all of its meaning.” – Andy Warhol
Irresistibly drawn
Difference insistence
Impinge relief
The local and distant interfuse in an open system under the night sky, articulated only through an absolute and ungeneralizable singularity. The immersion of life and matter in the real depends on the force and effect of duration.
“Likes won’t get you diddly in these parts.” – Thomas Middleditch
Modernist assumptions
Spiritual implications
Stylistic differences
To arrive at meaningful descriptions we must move away from exactitude. Not only are all visual images abstractions, but in alliance the rigorous sciences also are fabricated upon inexact representations.
“The work of art, as an autonomous organism, stands beside nature on equal terms and, in its deepest and innermost essence, devoid of any connection with it, in so far as by nature is understood the visible surface of things.” – Wilhelm Worringer
Lonely city
Blustery chill felt
Senses whirling
Multitudinous happenings transpire within an area of expansive density, as considerations of immediacy reflect on continuance and veracity formulation. Time and temporal perspectives, both visual and cognitive, govern experience.
“There’s something about arriving in new cities, wandering empty streets with no destination. I will never lose the love for the arriving, but I’m born to leave.” – Charlotte Eriksson