High on the Mainline

Only a memory
Crystalline medicine
On the midway

The illuminated Ferris Wheel stands-out on an inclement night, revolving against the storm clouds. A change of pace in the weather is refreshing and can be both a spiritual and contemplative experience.

“I think a myth is created from truth.” – Mark Lanegan

Light House

Quench thirst
Carnival panache
Bottled drinks

Not anywhere near a significant body of water, a carnival midway amusement lighthouse forfeits its navigational purpose.

“A lighthouse is for others; powerless to illuminate the space closest to it.” – M.L. Steadman

Dark Driving

Smooth warm
Slightly distorted
Tonal coloration

Enveloped by the night, the visual horizon is reduced to the near environment.

“Darkness cannot drive out darkness; only light can do that.” – Martin Luther King, Jr.

Rain Travel

On the journey
Hushed dream
Away rushing

Oblique angles in a moving landscape, things on the periphery can become subjects of central interest. Even during attention fixation, the human eye engages in indexed mini-movements of .5 degrees at 1 second intervals. Referred to as micro saccades, these small scale eye excursions help prevent visual sensation fading, maximizing persistence of vision.

“My technique has always been to include all the periphery around me.” – Martin Landau

Midway Welcome

Temporal coincidence
Hallucinatory character
Central entrance approach

Things become vaguely illusory in the carnival twilight. Key emotional related structures of the brain are sparked during active dreaming, when memories are fused and blended together in abstract and novel ways. During durational dreaming, vast swaths of acquired knowledge cogitate to extract overarching commonalties, divining elucidations to previously impenetrable conundrums.

Living on a lighted stage, approaches the unreal, for those who think and feel, in touch with some reality, beyond the gilded cage.” – Neil Peart

Number Nine

Loop repeat
Segments of random
Sensory attack

The point of track division is unclear, as moments in space and time are arbitrary departures.

“I didn’t realize it: it was just so funny the voice saying, ‘number nine’; it was like a joke, bringing number nine into it all the time, that’s all it was.” – John Lennon

Rain Transformations

Wet pavement
Nightly edition
Reflection enhancement

Driving in the rain down the suburban corridor, with dancing luminosities reflecting off the wet street in a durational ballet, provides surprising insights into the behavior of light. Specifically, diffuse reflection becomes specular reflection.

“To keep your truth in sight you must keep yourself in sight and the world to you should be a mirror to reflect to you your image; the world should be a mirror that you reflect upon.” – C. JoyBell C.

Night Vendor

Ideal spectator
Operation quotient
Actions motivated

Build it and they will come only provisionally. As the transitory carnival is mostly void of patrons, the bored carnies look on with disappointment.

“This decision is reached in the moment of a glance, for the maneuvers that follow, however stealthily that moment is prolonged in them, add nothing to it, no more than their deferral of the opportunity in the second scene disrupts the unity of that moment.” – Jacques Lacan

Overloaded Circuits

Floodlit time
Conduct charges
Out of touch

The carnival provides a rich visual environment, especially as night falls on the exuberant festivities. Operating as an observer, the artist follows an extraordinary agenda during event encounters.

“Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff.” – Joni Mitchell

Flower Fixtures

Real property
Elevated railroad track
Permanent appendage

Large colorful artificial flowers attempt to create a vibrant environment, increasing the desirability of riding the carnival rails.

“I got my heart’s desire, and there my troubles began.” – Lev Grossman

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