High Light

Determinate form
Ultimate appearance
Fabric of meaning

Some things are a matter of serendipity. Fortuitousness is present all the time, but manifests with awareness.

“The intuition of a purely aesthetic work of art is enacted under a strict suspension of all existential attitudes of the intellect and of all attitudes relating to emotions and the will which presuppose such an existential attitude.” – Edmund Husserl

Context Vicissitudes

Convey the experience
Inscription proceeds
Spectacle realm

An evening on the shore brings forth the quality of changeableness.

“A single day is enough to make us a little larger or, another time, a little smaller.” – Paul Klee

Local Interactions

Indeterminate organization
Intrinsically integrated
Complex reductionism

When diving into the middle of a multi- partition vehicle headlamp, marshalling intricate visual complexity becomes the objective. Real abstraction is an essential impartial characteristic of such an intimate conceptual framework.

“Chaos is complexity viewed through a reductionist filter.” – Silvia Hartmann

Serially Fragmented

Synthetic unity
Objective ground
Encountered objects

Traveling down the highway of life, spontaneity combines a freedom from external determination with the freedom to self-legislate. Signs along the way provide clues dependent upon the receptivity of sensation.

“Even to speak of space and time in this way requires the unconscious, unaware, darkly caused synthesis of imagination.” – Bernard Freydberg

Another Shore

Splendor hung
Aloft the night
Always moving

By formulating anticipation based on respective patterns, imagination is the cause of knowledge.

“We survive, and with those skills, and in that survival, we create art.” – Tom Wilson

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