Stop Stop Stop

Getting nearer
Going through
The movements

Outsider art emerges successfully on the street, momentarily arresting attention.

“I’m curious about life, period.” – Graham Nash

Aurelia Aurita

Four gonads
Horseshoe-shaped
Otherwise translucent

At the tideline, a beached moon jellyfish waits for the drying sun.

“Move like a jellyfish, rhythm means nothing.You go with the flow you don’t stop.” – Jack Johnson

Migration

Factors pushing
Seasonal movement
Natural challenges

Morning migratory movement fits into the seasonal vibe.

“Intuitions are like migratory birds, they come without a map without a reason. ” – Amit Ray

Possibility Prediction

Drift gestures
Perception map
Intersecting moment

Spreading energy over time in a constant forward motion, the morning darkness blends into the sky.

“We are segmented from all around and in every direction.” – Deleuze & Guattari

Transitions

Organic matter
Random combinations
Tremendous events

The colors and textures of autumn produce subtle beauty.

“All change is a miracle to contemplate; but it is a miracle which is taking place every instant.” – Henry David Thoreau

Late Bloomer

Material things
Abstract entities
Physical magnitude

A large tall clump of daisy-like flowers grace the front yard as an autumnal feature.

“Let us be cautious in making assertions and critical in examining them, but tolerant in permitting linguistic forms.” – Rudolf Carnap

Within the Existing

Wound up spirit
Precursory phenomena
Immutable essence

The sunrise experience is made consummate by a passing osprey.

“The artist dwells in the circumstances the present offers him, so as to turn the setting of his life (his links with the physical and conceptual world) into a lasting world.” – Nicolas Bourriaud

Accessible Without

Tangible being
Distinct experiences
Subtend one another

The shadowself fits into a large open tent on the lawn.

“There is double and crossed situating of the visible in the tangible and of the tangible in the visible; the two maps are complete, and yet they do not merge into one.” – Maurice Merleau-Ponty

Concomitant Circumstances

Established by mind
Resemblance relation
Association effect

Traversing universal challenges, aesthetic experiences emerge while walking through the dark woods softly.

“The present perception dives into the depths of memory in search of the remembrance of the previous perception which resembles it: the sense of recognition would thus come from a bringing together, or a blending, of perception and memory.” – Henri Bergson

Higher Order

Ontologically subtle
Habitual antecedent
Witness to whenever

On certain days ambient conditions seem to stimulate more avian activity.

“Perception is never a mere contact of the mind with the object present; it is impregnated with memory-images which complete it as they interpret it.” – Henri Bergson

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