Spatiotemporal coherence
Materialistic analysis
Event limitation
Isolating powerful undulating energy pulsating on the dynamic shore intersection, sense-awareness perceives one unit factor in nature bound by duration.
“The sea which lies before me as I write glows rather than sparkles in the bland May sunshine.” – Iris Murdoch
External raw stuff
Inner life enrichment
Disinterested nourishment
Present in the moment, essence is revealed when distanced from intentional advantage. Disrupting the cognitive map, thinking outside the box is always experimental.
“By standing over the world, questioning it, prying into it, one may discover principles and laws.” – Max Schoen
Visual reality
Gestural marks
Achieve effect
Divorced from a narrative purpose, abstract art can deliver meaning simply because of its actual presence. Formal aesthetic qualities are sufficient to provide ample satisfaction.
“Fine art is knowledge made visible.” – Gustave Courbet
Color delineated
Inherently positive
Attitude demeanor
Undisclosed in a particular configuration orientation, messages emerge from a search for deeper harmony understanding. We are creatures of this sort, seeking oder out of disorganization.
“Just as aesthetic as they are psychological, the geometric forms in my work burst into every sphere of life, allowing us to visualize the invisible.” – Osvaldo Bacman
Searing touch
Feel the rhythm
Hispanic wavelength
The interior decor of a Mexican restaurant evokes the color of nacho cheese, red chili peppers, and the setting sun to imaginably create an experience that employs more senses than taste.
“If she feels less hungry within these walls, I wouldn’t deny her that.” – John Maule
Abstract generalization
Linear independence
Vector spaces
Line shadows in the snow intersect and recombine in an aesthetically abstract mathematical realm. Multiple edges are considered as loopless matroids within finite nonempty sets of radiation defined objects.
“Two classes of objects are cryptomorphic if they are “really” the same thing but the link is not clear.” – Garrett Birkhoff
Terms of space
Precise distinctions
Duration simultaneity
Walking over a freeway overpass in the city, a protective barrier provides a manifold of sensations that can be synthesized into a simple and complex optical pleasure. As light signals received from the external world are continuously converted into internal models, composite visual layering and associated transformations contribute to multi-linear narrative outcomes.
“In the immense majority of cases, we decide about the intensity of the effect without even knowing the nature of the cause.” – Henri Bergson
Special position
Mere subjectivity
Outright objectivity
Pinning down momentary experience with some accuracy is here effortlessly facilitated. By reducing visual sensation along pure regions of abstraction, imprecise standards for evaluating and constructing artworks evolve.
“The combination and harmony of the two faculties of cognition, those of sensibility and understanding, which, though, doubtless, indispensable to one another, do not readily permit of being united without compulsion and reciprocal infringement, must have the appearance of being undersigned and a spontaneous occurrence–otherwise it is not fine art.” – Immanuel Kant
Quietly mutating
Material constructions
Non-illusionistic domains
Randomness organized, extracted, and reassembled into a coherent whole over time echoes the process of experiential manifold perception. Each unique encounter has its own characteristic chorography and modulation that develops through acquaintance.
“I believe we are a field of energy, dancing for itself. There is no me. There are just things happening and there are clusters of tetrahedrons moving around together.” – Jim Carrey
Principle of spontaneity
Tends to infinity
Limiting nature
Schelling’s philosophy of nature builds a process stack in which individual items initially seem independent and unrelated, but which in truth function within a relative totality. His thought stands in opposition to the Newtonian picture of matter as constituted by inert, impenetrable particles.
“Insofar as we regard the totality of objects not merely as a product, but at the same time necessarily as productive, it becomes Nature for us, and this identity of the product and the productivity, and this alone, is implied by the idea of Nature, even in the ordinary use of language.” – Friedrich Wilhelm Joseph Schelling