Respite Hill
Think tapestry
Subject free
Focused expression
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Some specific locations demand more attention than others.
“I feel as if I’ve come to a place I never thought I’d have to come to. And I don’t know how I got here.” – Raymond Carver
Think tapestry
Subject free
Focused expression
Some specific locations demand more attention than others.
“I feel as if I’ve come to a place I never thought I’d have to come to. And I don’t know how I got here.” – Raymond Carver
Structural relations
Conceptual distance
Imaginary real
Lens optics help to define object interaction with electromagnetic energy.
“Today, the real and the imaginary are confounded in the same operational totality, and aesthetic fascination is simply everywhere.” – Jean Baudrillard
Angular organization
Illustrated parking
Surface correlation
Disparate elements incidentally collaborate.
“In order to be irreplaceable one must always be different.” – Coco Chanel
Almost fantasy
Little empty
Never twice
Fog in the morning is physically inspirational.
“The fog is a magician who performs the art of erasing things without actually erasing them!” – Mehmet Murat ildan
Accordance harmony
Confluence comparison
Layering association
Viewed stimulus distance diminution affects apparent object size requiring cognitive adjustment.
“Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies.” – Alan Wilson Watts
Ground surface
Blowing sand
Frontal dune
Exercising control over erosion is an attempt to stabilize intrinsic dynamic processes. The integrity of the natural system is compromised by imperious management.
“When the fence system is approximately two-thirds filled with sand, erect another series of fences until desired dune height is reached.” – Jan Smith
Sure reference
Physical compulsion
Pragmatic adage
When making the most informed and valuable decisions, recognize that directional signs always include assumptions regarding intentions. Reality always exceeds the apprehension of representation.
“A little traveling music, Sammy!” And awaaaay, we go-o-o!” – Jackie Gleason
Looking forward
Enjoyable engagement
Within the background
Revealing action on the stage nearby, escape is imminent in motion no farther away than beyond the trees.
“That road doesn’t really have a destination, of course, but there are some nice views along the way, and that’s what did me good.” – Neil Peart