Respite Hill

Think tapestry
Subject free
Focused expression

Some specific locations demand more attention than others.

“I feel as if I’ve come to a place I never thought I’d have to come to. And I don’t know how I got here.” – Raymond Carver

Object View

Structural relations
Conceptual distance
Imaginary real

Lens optics help to define object interaction with electromagnetic energy.

“Today, the real and the imaginary are confounded in the same operational totality, and aesthetic fascination is simply everywhere.” – Jean Baudrillard

Spatial Constraints

Angular organization
Illustrated parking
Surface correlation

Disparate elements incidentally collaborate.

“In order to be irreplaceable one must always be different.” – Coco Chanel

Fog Lake

Almost fantasy
Little empty
Never twice

Fog in the morning is physically inspirational.

“The fog is a magician who performs the art of erasing things without actually erasing them!” – Mehmet Murat ildan

Proximity

Accordance harmony
Confluence comparison
Layering association

Viewed stimulus distance diminution affects apparent object size requiring cognitive adjustment.

“Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies.” – Alan Wilson Watts

Surface Pools

Angled light
Residual profile
Ocean sands

Soft sand intermittently forms irregular seaside pools as the morning tide recedes.

“At the beach, life is different. Time doesn’t move hour to hour but mood to moment. We live by the currents, plan by the tides and follow the sun.” – Sandy Gingras

Inveteracy

Ground surface
Blowing sand
Frontal dune

Exercising control over erosion is an attempt to stabilize intrinsic dynamic processes. The integrity of the natural system is compromised by imperious management.

“When the fence system is approximately two-thirds filled with sand, erect another series of fences until desired dune height is reached.” – Jan Smith

Remain Isolated

Perfectly adequate
Road cadence
Day went on

Traveling past old farm structures on a rainy day, things feel hopefully melancholy.

“The traveler sees what he sees. The tourist sees what he has come to see.” – G.K. Chesterton

Everything Happens

Sure reference
Physical compulsion
Pragmatic adage

When making the most informed and valuable decisions, recognize that directional signs always include assumptions regarding intentions. Reality always exceeds the apprehension of representation.

“A little traveling music, Sammy!” And awaaaay, we go-o-o!” – Jackie Gleason

Vivid Narrative

Looking forward
Enjoyable engagement
Within the background

Revealing action on the stage nearby, escape is imminent in motion no farther away than beyond the trees.

“That road doesn’t really have a destination, of course, but there are some nice views along the way, and that’s what did me good.” – Neil Peart

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