Peri and Pearl
Monster high
Conjoined serpentine
Hydra daughters
Because the characters are monsters, they have more freedom to do things.
“I have a secret. I am not the ghoul you think I am.” – Veronica Von Vamp
Hauntology
Positive forms
Negative spaces
Independent entities
When presences in the world are only hinted at we are left with absences.
“The shadow is not the object, but its double, its other. It is what the object is not, but what it might be.” – Alphonso Lingis
Aztec Sun
Ritualistic
Symbol cycle
Deity depiction
An andromorph is an organism with male physical characteristics.
“Be noble like the sun; let even those who resent you for shinning benefit from your warmth.” – Matshona Dhliwayo
Rhinestone Cowgirl
Street smarts
Reporter talents
Rising star
A nicely polished piece of entertainment.
“Did you stay for the rattlesnake roundup?” – Sonny Steele
Hidden Depths
Underlying unity
Present moment
Subtle nuances
The interplay of light and shadow, of form and void, reveals the essence of aesthetic experience.
“By object is meant some element in the complex whole that is defined in abstraction from the whole of which it is a distinction.” – John Dewey
Suspense
Constant forces
Steadfast intersection
Stabilization
Ceaseless becoming characterizes the material world.
“Abstraction is real, probably more real than nature.” – Josef Albers
Polished Expanse
Fleeting moments
Dynamic interplay
Presence absence
In the realm of aesthetic experience the tangible world dissolves into the fluid currents of perception.
“Duration is the form which our consciousness takes when it is turned back upon itself.” – Henri Bergson
Bonsai
Handcraft
Living art
Swarm
The styling of these miniature trees involves important techniques like regular pruning and wiring.
“Time does not respect what is done without it.” – Brasserie Cantillon
Hang loose
Right on
Take it easy
Things are great
The shaka sign expresses friendly messages.
“The term “shaka” is attributed to David “Lippy” Espinda, a used car pitchman who ended his TV commercials in the 1960s with the gesture and an enthusiastic ‘Shaka, brah!’” – Cheryl Chee Tsutsumi
Tendency Towards
Debutante
Glamorous universe
Very good listener
A flawless fiberglass face helps to generate material desire.
“Like a fashion model, the mannequin was intended to reflect our social, professional and aesthetic aspirations. Although she was permanently frozen in an idealistic tableau – artificial in every sense – she represented a living human being.” – Barbara Brownie